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Noise Matters: Towards an Ontology of NoiseBy Greg Hainge
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Everyone knows what noise is. Or do they? Can we in fact say that one man's noise is another teenager's music? Is noise in fact only an auditory phenomenon or does it extend far beyond this realm? If our common definitions of noise are necessarily subjective and noise is not just unpleasant sound, then it merits a closer look (or listen).
Greg Hainge sets out to define noise in this way, to find within it a series of operations common across its multiple manifestations that allow us to apprehend it as something other than a highly subjective term that tells us very little. Examining a wide range of texts, including Sartre's novel Nausea and David Lynch's iconic films Eraserhead and Inland Empire, Hainge investigates some of the Twentieth Century's most infamous noisemongers to suggest that they're not that noisy after all; and it finds true noise in some surprising places. The result is a thrilling and illuminating study of sound and culture.
- Sales Rank: #1583972 in Books
- Brand: Brand: Bloomsbury Academic
- Published on: 2013-02-28
- Released on: 2013-02-28
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .81" w x 5.52" l, .85 pounds
- Binding: Paperback
- 240 pages
- Used Book in Good Condition
Review
"Across eight chapters, Hainge runs through an irregular but illuminating sequence of cultural situations and texts in which noise proves determining [ ]Hainge's study responds to the institutional unmooring of cultural studies with recourse to 'ontology'. What makes his book a more interesting study than many of the other 'ontologies' currently on offer is that, rather than promulgating a return to (low-grade phantasy) objects, Hainge focuses on the anti-object par excellence, the nothing that is noise. Now that's a noise we can all feel, if not in the way Slade intended." - Justin Clemens, "Cultural Studies Review"
About the Author
Greg Hainge is Reader in French and Head of the School of Languages and Comparative Cultural Studies at the University of Queensland. He is the author of Capitalism and Schizophrenia in the Later Novels of Louis-Ferdinand Céline and has published widely on cinema, music, critical theory and French literature.
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